Category Archives: Musos

Posts about musicians new or old but all loved and/or enjoyed.

Nineties Guitar Masters

Another of those difficult lists where you leave off many great musicians but I only limit myself to ten and in no particular order. Except this time I am going to start with a few who narrowly missed out on the eighties list.

moore

Blues-rocker Gary Moore doing what he does best

Gary Moore blew me away from the first time I heard him play. A case could be made for him to have appeared on either the seventies or eighties list but I decided to deposit him here. This is because in 1990 he released the most successful album of his career in Still Got The Blues. Featuring the likes of Albert King, George Harrison and Albert Collins, this album is predominantly a bunch of blues covers with some originals thrown in for good measure and is still well worth a listen today.

Choice Pick: The classic title track “Still Got The Blues”

vai

Vai holding a guitar that he can undoubtedly play

Steve Vai did make a name for himself in the eighties playing with Frank Zappa, Alcatrazz and David Lee Roth and releasing his debut studio album, the inventive mess that was Flex-Able. But when he released his second studio album in 1990, Passion and Warfare, he really took the world by storm.

Choice Pick: “The Audience Is Listening” from Passion and Warfare.

hammett

Metallica axeman and former Satriani student, Kirk Hammett

Although Metallica had success in the eighties they conquered the world in the nineties becoming one of the decade’s most successful bands. The eponymous fifth album, known simply as “the black album” was enormously successful.

Choice Pick: The epic riffery of their successful single “Enter Sandman” is hard to go past.

frusciante

Red Hot Chili Pepper, John Frusciante

John Frusciante’s guitar work became integral to the successful sound of the Red Hot Chili Peppers as is evidenced not only by the success of the seminal nineties album, Blood Sugar Sex Magik, but also by their renewed success upon his return to the band after a five year hiatus in 1999.

Choice Pick: Absolutely anything off 1991’s Blood Sugar Sex Majik or 1999’s Californication

jones

Tool’s Adam Jones

Tool are one of my favourite band’s ever, largely due to the virtuoso skills of drummer Danny Carey and guitarist Adam Jones. The riffs and licks from Jones and the metronomic playing of Carey led to the band being described as math rock in some circles.

Choice Pick: “Forty-Six & 2” from their 1996 album, Ænima

yeomans

Quan Yeomans, front man for Regurgitator

Australian music in the nineties would have been a lot more boring without the Gurge! Quan’s singing, guitar playing and songwriting are all key elements of Regurgitator’s sound and the way they virtually reinvent themselves each album has made their career interesting.

Choice Pick: “! (The Song Formerly Known As)” from the 1997 album, Unit.

greenwood

Radiohead’s inventive guitarist, Jonny Greenwood

Jonny Greenwood’s guitar playing could only be described as inventive and intriguing and as a player he is clearly determined to achieve success on his own terms without compromise. OK Computer is one of the most pivotal albums of the nineties and Jonny’s playing is definitely a contributing factor to its success.

Choice Pick: Check out “Paranoid Android” from OK Computer as a great taste of his unique style

morello

Rage Against The Machine’s Tom Morello

Tom Morello is yet another guitarist who’s playing could only be described as innovative. He’s been known to even tap the strings with an Allen Key to play slide. What a legend!

Choice Pick: Hard to go past my favourite Rage Against The Machine track, “Killing In The Name”, from their self-titled debut in 1992. If you have not heard this, make sure you track down the uncensored version otherwise you miss the whole point of the song!

reid

Living Colour’s Vernon Reid

Living Colour surprised everyone with the success of their debut album, Vivid, in 1988. But they weren’t one-trick ponies and really showed a diversity of styles on their follow-up, Time’s Up, in 1990. Their sound continued to evolve on 1993’s Stain before breaking up in the mid-nineties only to reform in 2000 and resume their career. A career built largely around Reid’s playing and Corey Glover’s vocal talents.

Choice Pick: The “Love Rears It’s Ugly Head (Soul Power Mix)” single reveals Reid’s mellower, funkier side.

thayil

Kim Thayil, lead guitarist with grunge exponents Soundgarden

Q: Where would Soundgarden be without the guitar talents of Kim Thayil?

A: Nowhere.

Despite the vocal talents of Chris Cornell and the other talented musicians in the band, it is Thayil’s riffery that defines them.

Choice Pick: “Spoonman” from 1994’s mega-successful Superunknown

Eighties Guitar Masters

Yep. Another blog post requiring difficult decisions. Please note there is no order of merit in this list.

thorogood

The man in front of the Delaware Destroyers – the inimitable George Thorogood

I remember being totally enamoured by his hit “Bad To The Bone” the instant I heard it. Even more so after seeing the music video with Bo Diddley. For my eighteenth birthday I received a copy of his album George Thorogood Live as a gift. I loved it. After realising most of the tracks were covers, I made it my mission to track down the original versions. So thanks to George I ended up discovering all these fantastic blues artists from the fifties and sixties.

Choice Pick: I’m still enamoured by 1982’s “Bad To The Bone”

satriani

Virtuoso guitarist and one-time guitar tutor, Joe Satriani

Any Satriani fan owes a debt to Steve Vai. When Steve Vai signed with a record label he asked them to check out his guitar teacher, leading to a recording contract for Satch as well. Aside from Vai, other former Satch students include Larry LaLonde from Primus and Testament’s Alex Skolnick. Apparently the last guitar lesson he gave, for the princely sum of $20, was to Metallica’s Kirk Hammett.

Choice Pick: Hard to go past 1987’s “Surfing With The Alien” 

gambale

Canberra export, Frank Gambale

Canberra-born jazz fusion guitarist Frank Gambale, remains largely unknown in his home country outside of jazz circles.Yet the twenty-album veteran is world renowned for his sweep picking and economy picking techniques. As well as a solo career he had a six year stint with the Chick Corea Elektric Band. Worth tracking him down if jazz fusion is your bag.

Choice Pick: “Credit Reference Blues” from his debut album, Brave New Guitar

knopfler

Fingerstyle guitarist, film composer and songwriter extraordinaire, Mark Knopfler

When Dire Straits burst onto the scene in the late seventies no one could have predicted how meteoric their rise would be. The 1985 album Brothers In Arms would be a massive worldwide success on the back of singles “Money For Nothing”, “Walk Of Life” and “So Far Away”. Mark has had a successful solo career since the demise of Dire Straits releasing solo albums and composing film soundtracks. I still think the album before Brothers In Arms, 1982’s Love Over Gold, is an absolute masterpiece, overshadowed by the success of its follow-up.

Choice Pick: The epic “Telegraph Road” from Love Over Gold

marr

Influential guitarist, Johnny Marr

Cutting his teeth co-writing and performing with Morrissey in The Smiths, Johnny Marr’s career has been as diverse as it has been influential. Since leaving The Smiths he has performed with The The, Electronic, Modest Mouse and Neil Finn’s 7 Worlds Collide project as well as releasing solo material.

Choice Pick: The eerie-sounding guitar work on “How Soon Is Now?” by The Smiths

moss

Guitarist with a penchant for playing barefoot, Ian Moss

Ian Moss has had a very successful career with Aussie legends Cold Chisel. Taking a break from music after the breakup of Cold Chisel in 1984, he returned with a vengeance in 1989 launching a successful solo career with his debut solo album, Matchbook. His playing was integral to Cold Chisel’s sound and this was once again evident after their reformation in 1998.

Choice Pick: The self-penned “Bow River” from the classic album Circus Animals

malmsteen

Swedish metal guitarist, Yngwie Malmsteen

Yngwie Malmsteen made an impact right off the bat, performing on albums with Steeler and Graham Bonnet’s Alcatrazz in 1983 when he was only 20 years of age. He released Rising Force the following year launching a solo career based around his neoclassical metal style of guitar playing. His playing has influenced many others since, but his own influences include Queen’s Brian May and 19th century composer Paganini.

vaughan

The late Stevie Ray Vaughan

Stevie Ray Vaughan, with his band Double Trouble, reinvigorated the blues rock scene in the eighties. His style was unique and heavily influential on his peers. He was much sought after as a session musician appearing on material by David Bowie, Jennifer Warnes and James Brown. He was also one of the few guitarists he could successfully cover Jimi Hendrix without sounding like a pale imitation.

Choice Pick: “Cold Shot” from 1984’s Couldn’t Stand The Weather

slash

Lead guitarist with Guns ‘N’ Roses, Slash

Guns ‘N’ Roses seemed to come out of nowhere in 1987. You can thank Saul Hudson, aka Slash, for the large part he played in their success. The sublime riff from “Sweet Child o’ Mine” contributed to high-rotation airplay on radios and televisions all around the world. The fact he has also had success with Slash’s Snakepit, Velvet Revolver and with his solo material, is testament to his talents.

Choice Pick: The aforementioned “Sweet Child o’ Mine” from Appetite For Destruction

the-edge

U2 guitarist, The Edge, aka David Evans

Never one to rest on his laurels, Irish guitarist The Edge, has kept himself busy outside of his work with U2 by contributing to various human rights and philanthropic causes, collaborating with other musicians and contributing to the soundtracks of theatre musicals. Despite all the musical style changes U2 has gone through over the years, The Edge’s playing has been continually at the core of their sound.

Choice Pick: “Sunday Bloody Sunday” from U2’s 1983 album, War

Seventies Guitar Masters

The hardest thing about these posts about guitar masters is limiting myself to only ten. I can pick my preferred ten and then easily pick another ten if required and each list would be equally noteworthy. So I just have to accept that some notable guitarists will be glaring omissions for some, including myself!

black-sabbath-011

Tony Iommi rocking out with Ozzy in the 70s

Tony Iommi’s guitar playing style and sound would help define heavy metal. Losing the tips of his middle and ring fingers on his right hand during a factory accident as a teenager affected his playing style and he is the only continual member of Black Sabbath throughout all its incarnations. Never did a guitar sound more ominous than in his hands.

Choice Pick: The 1970 album Paranoid is a master class in hard rock riffery and there is no better example than the classic “Fairies Wear Boots”.

blackmore

Ritchie Blackmore, lead guitarist of Deep Purple and Rainbow

Another guitarist that contributed to defining the sound of heavy metal was Deep Purple founding member, Ritchie Blackmore. He later left Deep Purple to form Rainbow then rejoined Deep Purple for a second stint. In recent years he has formed a folk-rock duo with his girlfriend Candice Night called Blackmore’s Night.

Choice Pick: Hard to go past the obvious “Smoke On The Water”, still being mastered by learner guitarists today.

bolin2

Underrated or forgotten by many, Tommy Bolin’s guitar playing was exceptional and well worth seeking out

Tommy Bolin replaced Ritchie Blackmore in Deep Purple in 1975 to form their much-maligned Mk III lineup. He had previously worked in bands Zephyr, Energy and The James Gang. Despite this impressive pedigree his most outstanding work is on his two solo albums. His debut Teaser, provided examples of the different styles he could play, and the second more cohesive album, Private Eyes, really showcased his development as both a guitarist and a songwriter. Sadly, he died of a drug overdose at a mere 25 years of age during the subsequent promotional tour.

Choice Pick: The 9 minute epic “Post Toastee” from Private Eyes.

gilmour

Pink Floyd’s lead guitarist, David Gilmour

Was there ever any doubt David Gilmour would turn up in this list? His playing is simply sublime and he was an integral part of Pink Floyd’s sound in the post-Syd Barrett era. His solo albums don’t quite reach the peak of his work with Pink Floyd yet they’re still worth a listen.

Choice Pick: Hard to limit myself to one outstanding track, but if forced I would have to choose “Comfortably Numb” from 1979’s The Wall.

townshend

The Who’s Pete Townshend in full flight

Although Pete Townshend kicked off his career in the sixties, for me his most stellar performances were in the seventies. Renowned for his unique windmill playing style, the rarity of playing solos, his propensity to jump in the air whilst playing and his obsession with rock operas, he is a guitarist like no other.

Choice Pick: “The Real Me” from the The Who’s second rock opera, the double album Quadrophenia released in 1973. In my opinion a superior work to the much more famous Tommy.

angus

AC/DC’s Angus Young

From his schoolboy appearance to his duck walks everyone knows Angus Young. His sound defines AC/DC’s sound along with the outstanding rhythm playing of his older brother Malcolm. Without him there would be no AC/DC.

Choice Pick: “Jailbreak” from their third Australian album Dirty Deeds Done Dirt Cheap released in 1976.

duane_allman

Slide guitarist extraordinaire, Duane Allman

Although he died far too young, at age 24 in a motorcycle accident in 1971, he is still remembered as one of the greatest slide guitar players ever. His work with his brother Gregg and friends in the Allman Brothers helped define their sound. His performances with Eric Clapton as part of Derek and the Dominos were integral to the Layla And Other Assorted Love Songs album released in 1970.

Choice Pick: The Derek and the Dominos performance “Bell Bottom Blues” from the aforementioned album is impossible to ignore.

eddie_van_halen-650x400

Eddie Van Halen displaying his guitar prowess

Eddie Van Halen’s guitar playing blew everyone away when Van Halen’s debut eponymous album was released in 1978. It seems somewhat hard to believe now that Gene Simmons had trouble securing them a record deal with demos he had recorded for the band. I bet someone kicked themselves about not jumping on to that band wagon early enough.

Choice Pick: His exemplary skills are on full display during the short instrumental “Eruption” from their 1978 debut.

rory

Irish guitarist, Rory Gallagher

Rory Gallagher is one of Ireland’s most famous guitarists and deservedly so. After performing with power trio Taste, a band who supported both Cream and Blind Faith in their time, he commenced his solo career with the release of his first solo album in 1971. His solo career went on to last for nearly 25 years before his untimely death from complications after receiving a liver transplant in 1995.

Choice Pick: I’ve always been a big fan of “Tattoo’d Lady” from 1973’s Tattoo.

may

Co-founder and lead guitarist of Queen, Brian May

A technically gifted guitarist, Brian May is also renowned for his work outside music. He was awarded a CBE for his services to the music industry and charity work, attained a PhD in astrophysics, was a science team collaborator on NASA’s New Horizons Pluto mission and has an asteroid named after him. What a legend!

Choice Pick: The standout track from their debut album and Queen’s first single “Keep Yourself Alive”, released in 1973.

 

Sixties Guitar Masters

Welcome once more to my on-again off-again blog. Despite my best intentions to post more regularly, sometimes, sadly, life gets in the way. This post follows on from my post on Fifties Guitar Masters as we move on to the next decade.

The 1960s was a decade of unprecedented development in terms of recorded popular music and an era of constant change. Naturally this was a fertile breeding ground that created a whole new generation of innovative guitarists.

hank-marvin

Hank Marvin

Kicking off the 60s it would be hard to go past the legendary Hank Marvin. With The Shadows he virtually defined the sound of the guitar in the early part of the decade and was an inspiration to many who came after him.

Choice Pick: check out the international chart-topper “Apache” released in July 1960

jimi-hendrix-07

Jimi Hendrix

You couldn’t have a list of guitarists from the 1960s without including Jimi. Renowned for being so extraordinarily gifted that the guitar was considered an extension of his body, his recordings are as exemplary as they are limited. For a career so brief he certainly shone brightly.

Choice Pick: Hard to go past his cover version of  Bob Dylan’s “All Along The Watchtower”  originally released in September 1968. Even Mr Zimmerman considered it the definitive version of his tune.

eric_clapton_1966_large

Eric Clapton

The first of three incredible guitarists to have a stint in The Yardbirds, Eric Clapton’s career has been like no other. The amount of different genres he’s covered during his career combined with his longevity can only lead one to conclude that he is peerless. Just list the bands he’s been in and any one of them would look good on a guitarist’s c.v. The Yardbirds, John Mayall & The Bluesbreakers, Cream, Derek and the Dominos and his solo stuff too!

Choice Pick: For me his finest hour was the Derek and the Dominos period, but his solo on Cream’s live version of “Crossroads”, from 1968’s Wheels Of Fire, is one of the finest ever.

jeff-beck

Jeff Beck

The second Yardbirds guitarist to feature in this list and one who has a very unique playing style. From his faux-slide playing using only his hands and a whammy bar, to doing away with a pick sometime during the 1980s, he has certainly developed his own “signature sound” on more than one occasion.

Choice Pick: “Beck’s Bolero”, the B-side to his 1967 single “Hi Ho Silver Lining”, displays his talents exceptionally well. The recording featured the Who’s Keith Moon on drums and future Led Zeppelin members Jimmy Page and John Paul Jones.It was during the sessions for the tracks that would form Beck’s first solo album, Truth, that Page first heard the term “lead zeppelin”.

jimmy-page

Jimmy Page

Which brings us to Jimmy Page, the third of the guitarists from The Yardbirds to feature in this post. Page formed Led Zeppelin from the debris of The Yardbirds, even to the point of going out on their first tour as The New Yardbirds, to meet some outstanding contractual obligations.

Choice Pick: Hard to go past the blistering “Whole Lotta Love” from Led Zeppelin II, released in 1969.

peter-green

Peter Green

Clapton’s replacement in John Mayall & The Bluesbreakers came with a unique sound and style all his own. He also founded Fleetwood Mac by convincing first Mick Fleetwood, then John McVie, to join him. Sadly, his drug use caused many years of decline during the 70s and 80s, before returning in the 90s better, yet not quite what he was in his youth.

Choice Pick: His work on the John Mayall & The Bluesbreakers track, “The Super-Natural”, released on A Hard Road in 1968, is nothing short of spine-tingling.

frank-zappa

Frank Zappa

Q: Has their ever been a guitarist like Frank Zappa?

A: Yes, his name is Dweezil.

Choice Pick: Hard to go past the 1969 Mothers Of Invention single “My Guitar Wants To Kill Your Mama”.

keith

Keith Richards

Keith earns the nickname Keef Riffhard for a reason. His riffs are second to none. He’s been known to wake in the middle of the night, strum a riff into a tape recorder by the side of his bed, then roll over and go back to sleep. He then listens the next day to decide if the riff is a keeper or not. Its where the riff for “(I Can’t Get No) Satisfaction” came from and many more.

Choice Pick: “Sympathy For The Devil” from 1968’s Beggars Banquet, the beginning of a four-album golden period, in my humble opinion.

santana

Carlos Santana

Carlos built a reputation for himself after his blistering performance with Santana at Woodstock in 1969. The unheard-of band were included as a favour to promoter Bill Graham, who insisted after being called in to help with logistics and planning for the event.

Choice Pick: “Soul Sacrifice” from debut album, Santana, released in 1969, is an excellent example of his work, although the studio version doesn’t capture the wild majesty of the Woodstock performance.

albert_king

Albert King

Albert King was blessed with two things. Precocious talent and the Stax house band, Booker T & the MGs. Recording together on his second studio album, his first for Stax, saw the creation of one of the definitive blues albums of the decade.

Choice Pick: “Born Under A Bad Sign”, the title track from the aforesaid album, released in 1967.

 

 

In me-Moore-iam

gary-moore-04

Legendary Irish guitarist Gary Moore

Often, people are remembered on the anniversary of their death. In the case of musicians, I’m more likely to think of them when I hear their music. I was reminded of just how great a performer Gary Moore was, after playing a track on my radio show last weekend.

He started his career with a band called Skid Row where he first met a young Phil Lynott. He would go on to have an on again-off again relationship with Lynott’s band Thin Lizzy during the 1970s. However, he only appeared on one studio album as a fully-fledged member of the band, the magnificent Black Rose from 1979.

black rose

The classic Thin Lizzy album, 1979’s Black Rose

I can’t remember when I first heard Gary Moore solo but I remember obtaining his 1985 album, Run For Cover,on vinyl based on the strength of the single he performed with Phil Lynott, “Out In The Fields”. I wasn’t disappointed.

run for cover

Run For Cover released in 1985

He was a very technically gifted guitarist and during his early solo albums he concentrated on a hard rock sound. He had success in the UK, and to a lesser extent in Australia, but he was idolised in Japan. He released a live album recorded in Japan in 1983 and seven studio albums during the course of the eighties. The most successful of these was 1987’s Wild Frontier and featured a cover version of the Easybeats track, “Friday On My Mind”.

Wild Frontier

1987’s Wild Frontier

In the 1990s he reinvented himself as bluesman, by returning to the kind of music that inspired him in his youth. “Still Got The Blues”, released in 1990, turned out to be the most successful album of his career and featured two legendary bluesmen in Albert King and Albert Collins.

still got the blues

Still Got The Blues released in 1990

His next studio album, After Hours,  featured another blues legend in B.B. King before he formed a supergroup of sorts, with Jack Bruce and Ginger Baker of Cream fame. They called themselves BBM (Bruce-Baker-Moore) and released one album, Around The Next Dream in 1994.

bbm

1994’s Around The Next Dream by BBM

Moore would return to the blues on his tribute album to Peter Green, Blues For Greeny, released in 1995. Peter Green, founding guitarist of Fleetwood Mac, was an idol of Moore’s and he had sold Moore his 1959 Gibson Les Paul after Moore got to play support for Green with his first band, Skid Row. Blues For Greeny was recorded using that very same guitar on material composed by Green and originally recorded during his tenures with Fleetwood Mac and John Mayall & The Bluesbreakers.

blues for greeny

Blues For Greeny released in 1995

Moore then chose to modernise his sound on his next studio album, the excellent Dark Days In Paradise, released in 1997.

dark days

1997’s Dark Days In Paradise

In the 21st century Moore once again focused on the blues, releasing another five studio blues albums between 2001 and 2008.

If you’ve never considered owning any of his albums there are plenty of compilations available for you to sample his wares, or you could dive right in with both feet and get hold of some of the albums featured in this blog post.

What better way to remember a musician then by playing their material?

Fifties Guitar Masters

The 1950s was a time of upheaval in the music world with the development of electric blues leading to the birth of rock ‘n’ roll, groundbreaking recording techniques, studio equipment and effects pedals and the like. This blog post aims to briefly examine just some of the guitarists whose work made a large impression on other musicians, and in turn, popular culture.

Muddy Waters

Muddy Waters

No examination of guitarists in the 1950s  can ignore the plethora of talented blues guitarists. Although Muddy Waters first began recording in the 1940s it is his work when joining the Chess record label in Chicago in 1950 for which he is most remembered. His use of amplification was also said to be hugely influential on other guitarists and was essential in the development of rock ‘n’ roll. His band members have included a variety of famous bluesmen particularly during his time with Chess.

Choice Pick: check out his “Rollin’ Stone” from February 1950

Les Paul

Les Paul

Les was a guitarist capable of playing jazz, blues, country and rock ‘n’ roll. He was also an inventor, songwriter and an innovator in studio techniques such as overdubbing, multitrack recording and the use of phasing effects.

Choice Pick: His work with Mary Ford is a career highlight particularly “How High The Moon” from January 1951.

Chet Atkins

Chet Atkins

Chet Atkins is a key proponent of the fingerpicking guitar style and his work has influenced many, most notably Mark Knopfler. His music played an important part in developing a smoother country style that came to be known as the Nashville sound and helped bring country music to a wider pop audience.

Choice Pick:Galloping On The Guitar” released in January 1953 is a good place to start.

Scotty Moore

Scotty Moore (with some other chap called Elvis or something)

Scotty Moore made a name for himself as part of Elvis Presley’s band for many years was a key player in his sound. His pioneering rockabilly style was a key influence on musicians such as Bruce Springsteen, Keith Richards and Jimmy Page, to name just a few.

Choice Pick: It’s hard to go past their Sun debut together on the Presley version of “That’s All Right” released in July 1954.

Chuck Berry

Chuck Berry

Chuck Berry chalked up numerous hit singles all of which feature his signature guitar style. However, upon closer examination you could almost credit pianist Johnnie Johnson for his sound, as Chuck’s licks appear to mimic Johnnie’s piano lines.

Choice Pick: The debut single “Maybellene“, originally released in July 1955, is a classic example of the style Chuck would use throughout his entire career.

bo diddley

Bo Diddley

Bo Diddley not only created his first guitar himself out of an old cigar box, but he also designed numerous others throughout his career. He also developed a signature beat and used it often in his songs, which in turn has also been used often in other people’s songs.

Choice Pick: One of my favourite tracks from Bo, and a good one for any casual fan to start with, would have to be “Who Do You Love?” released in March 1956.

Hubert Sumlin

Hubert Sumlin

Hubert’s guitar prowess quickly earned him a place in Howlin’ Wolf’s band after Wolf convinced him to move from Memphis to Chicago in 1954. He remained in his band for the majority of his career from that time on.

Choice Pick: If you haven’t heard it before get hold of the definitive Howlin’ Wolf track “Smokestack Lightnin’” to demonstrate Sumlin’s skills.

b b king

B.B. King

Riley “Blues Boy” King was fortunate enough to have Bukka White as a second cousin, who no doubt taught King a thing or two and is alleged to have given him his first guitar. No one plays like B.B. and he never taught himself chords. Yet he still managed to have a career that spanned six decades.

Choice Pick: There are so many to choose from, but his treatment of “Sweet Little Angel” from August 1956 is well worth tracking down.

Link Wray

Link Wray

Link’s work was built around his distorted guitar sounds and he is credited with the popularisation of the power chord. He is often credited with paving the way for punk and hard rock due to the sounds he was able to wrangle out of his guitar and amp.

Choice Pick: His debut single with his Ray Men, “Rumble“, released in April 1958, changed the musical landscape forever!

Duane Eddy

Duane Eddy

Eddy developed a “twangy” sound by playing on his guitar’s bass strings to produce a low, reverberant sound. This became his signature sound and was used throughout his career. Check out his album discography and you will find the word “twang”, or its derivatives feature most prominently in many of the titles.

Choice Pick: His second single, and one of his biggest hits, “Rebel Rouser” from May 1958, is an excellent example of his “twangy” sound.

Albums of the Month

It’s now been just over 12 months since I commenced my feature “Albums of the Month” on my community radio program The Sunday Smorgasbord as heard on TYGA FM. The idea behind the feature was to provide listeners with several tracks from one of my favourite albums each month with the aim of giving a better indication of what an album is like. Hopefully those liking what they have heard would then obtain the album for themselves. It harks back to why I got involved in community radio in the first place. To share my music with others. I felt I had no choice but to begin with one of my favourite albums of all time, Layla And Other Assorted Love Songs by Derek and the Dominos.

A personal favourite, Layla And Other Assorted Love Songs released by Derek & The Dominos in 1970.

A personal favourite,
Layla And Other Assorted Love Songs
released by Derek & The Dominos in 1970.

I’ve always been a big fan and supporter of Australian music so I’ve made certain to include some classic Australian albums as well, not just those from international artists.

INXS's Shabooh Shoobah, released in 1982.

INXS’s Shabooh Shoobah,
released in 1982.

Each of the albums I feature also have to have resonated with me on some level in the first place. In some cases I can even remember the circumstances of where and when I first heard them. There is only ever one first listen.

The 1971 album from the Stones, the seminal Sticky Fingers

The 1971 album from the Stones,
the seminal Sticky Fingers

Australia’s musical landscape has always heavily featured both US & UK artists, as well as our own, so it was inevitable that my “Albums of the Month” would too.

Cold Chisel's 1982 album, Circus Animals

Cold Chisel’s 1982 album,
Circus Animals

The classic Darkness On The Edge Of Town, released by The Boss in 1978

The classic Darkness On The Edge Of Town,
released by The Boss in 1978

I’ve always believed that most music-lovers like to hear a little bit of everything, the whole modus operandi of my radio program. I always advise listeners if they don’t like what’s playing, just wait five minutes, because the next one will be different. Hopefully, over time, the artists I’ve featured in my “Albums of the Month” will also illustrate the diversity of my taste.

Human Frailty, a classic Hunters & Collectors album, released in 1986.

Human Frailty, a classic
Hunters & Collectors album,
released in 1986.

Blood Sugar Sex Magick, the 1991 album from the Red Hot Chili Peppers

Blood Sugar Sex Magick,
the 1991 album from the
Red Hot Chili Peppers

I’ve also tried to feature albums from different eras and different genres. But ultimately we are limited by our own experiences. Some albums featured will be ones I grew up with, whilst others I will have discovered later in life due to either their release date or when I eventually became aware of them.

Daisies of the Galaxy, an album released in 2000 by Eels

Daisies of the Galaxy,
an album released in 2000 by Eels

When January rolls around my first show of the year always features my favourite music released in the previous 12 months. I call it my “Year In Review Special”. Consequently I decided to make the January album of the month my favourite one released the previous year. For 2014 that was the one released by Slash featuring Myles Kennedy and the Conspirators.

World On Fire from Slash, featuring Myles Kennedy & The Conspirators. My pick of 2014.

World On Fire from Slash,
featuring Myles Kennedy
& The Conspirators.
My pick of 2014.

I can remember some Regurgitator fans being disappointed with their change in sound on their second album. The band embraced their reaction in advance kicking off the album with the hilarious I Like Your Old Stuff Better Than Your New Stuff. Personally, I thought Unit was brilliant.

Regurgitator's second album, Unit, released in 1997.

Regurgitator’s second album, Unit,
released in 1997.

Some albums also indicate a change in direction for an artist or hint what is about to come. Hunky Dory did this brilliantly, bringing together the musicians that would become The Spiders From Mars as well as demonstrating that David Bowie’s songwriting had reached another level since The Man Who Sold The World album.

The album that culminated in the formation of The Spiders From Mars, David Bowie's Hunky Dory released in 1971.

The album that culminated
in the formation of
The Spiders From Mars,
David Bowie’s Hunky Dory
released in 1971.

This brings me to this month’s “Album of the Month” from Queen. Although they would release another two studio albums before his death, A Kind Of Magic would be the last studio album to be accompanied by a tour from the Freddie Mercury era of the band. The tour ended up leading to some of their finest live performances, none better than their performance at Knebworth, thankfully captured on film for posterity.

A Kind Of Magic by Queen, the unofficial Highlander soundtrack, released in 1986

A Kind Of Magic by Queen,
the unofficial Highlander soundtrack,
released in 1986

So there we have a baker’s dozen of albums I’ve featured on the program. So to quote Molly Meldrum, “Do yourself a favour”, add some of these to your music collection, you won’t regret it.

Don’t forget you can listen to my program 8pm Sunday nights on 98.9 TYGA FM here in the beautiful Derwent Valley, stream online at http://www.tygafm.org.au or listen with your mobile device via the TuneIn app.